nordmeyerCarolin Nordmeyer

Carolin Nordmeyer was born in 1975 in Freiburg im Breisgau, Germany. Having grown up „under the grand piano“, she became interested in scores and developed an eye for the big picture alongside playing piano, violin, viola and french horn.
After graduating from high school, she began studying french horn in Detmold (Germany), followed by conducting studies with a major in piano, although her focus clearly shifted towards conducting. Her contact with various conductors during her academic year as a scholarship holder at the Conservatoire National de Musique in Paris gave her important inspiration.
Carolin Nordmeyer was appointed conductor and répétiteur at the Theater Bielefeld whilst still a student. She built up a broad repertoire and, in addition to her own opera productions such as Gluck's "Orfeo ed Euridice" or Scarlatti's "Griselda", she conducted performances of Verdi's "Un ballo in maschera", Rossini's "Il viaggio a Reims", Mozart's "Die Entführung aus dem Serail", Weber's "Freischütz", Humperdinck's "Hänsel und Gretel", Stravinsky's "Le Sacre du Printemps" or Lehár's "Lustige Witwe". In addition, she regularly planned and conducted youth and family concerts.
From 2009-2017 Carolin Nordmeyer was engaged as second Kapellmeister and assistant of the general music director at the Theater Augsburg. Carolin Nordmeyer conducted the premieres of Verdi's "La Traviata", Mozart's "La Finta giardiniera", Chabrier's "„Etoile" and the ballet productions "Romeo and Juliet" and "Cinderella", the gala concerts on New Year's Eve and New Year's Day (2011/12), as well as various youth and family concerts. She expanded her conducting repertoire with numerous revivals, including Berg’s "Lulu", Verdi's "Aida" and "Il Trovatore", Wagner's "Der Fliegende Holländer" and Mozart's "Le Nozze di Figaro" and "Die Zauberflöte".
Carolin Nordmeyer is a lecturer in Opera Studies at the Leopold Mozart Conservatory Augsburg.
In November 2006, Carolin Nordmeyer was accepted as a scholar into Deutsche Bank’s "Akademie Musiktheater heute" Scholarship Program.
In addition to her professional activities, Carolin Nordmeyer has a great passion for music education and musical work with amateurs and young people. Carolin Nordmeyer is chief conductor of the Schwäbisches Jugendsinfonieorchester. Since 2013 she is chief conductor of the Academic Symphony Orchestra Munich. She has also conducted projects and performances with the Saarland Youth Orchestra, the Young Orchestra Academy of the Moselle Music Festival, the Rheinische Orchesterakademie Mainz, the Märkisches Jugendsinfonieorchester, of which she was chief conductor from 2004 to 2011, and the Freie Sinfonie Orchester Bielefeld founded by her in 2003.

 

 

ehrenfellnerChristoph Ehrenfellner

 The Salzburg born conductor-composer-violinist has chosen 3 tracks to bring the fruits of a blossoming spirit to full exchange with our musical world. His actual position as an artist-in-residence at Theater Nordhausen has been preceded by composing-residencies atOrchestre Symphonique de Mulhouse, Ozawa Academy Geneva, Festival Retz, Loisiarte, St.Gallen- and Palmklang. Among the acclaimed premieres are works such as Ehrenfellners 1st Symphony, 2nd Opera, 1st Ballet, or 3rd violin-concerto.

His partners are Mozarteum Orchester Salzburg, Mexico City Philharmonic Orchestra, Turku Philharmonic Orchestra, Loh-Orchester Sondershausen, Kransnojarsk Chamber Orchestra, the Dialoge-Festival Salzburg, Brucknerhaus Linz, Allegro Vivo Festival. Musicians such as Gidon Kremer, Leif Segerstam, Emmanuel Tjeknavorian, Enrico Pace, Erwin Ortner, Christoph Sietzen etc. perform his music. In the coming season it will be Mainfranken Theater Würzburg, Liszt Biennale Weimar, Tyrol Festival Erl, Tchech Chamber Philharmonic Praha und Manila Youth Orchestra, who will have encounters with Christoph Ehrenfellner.

Enthusiastic reviews about his music come from NY TimesSpiegel online, Austrian newspaper Die Presse, Salzburger Nachrichten, Kurier, Krone and many more. The Tjeknavorian-CD-recording of Ehrenfellners Suite des Alpes at SONY-Classical won the OPUS-classic-prize 2018 in Germany. Elbphilharmonie, Royal Albert Hall, Cité de la Muisque, Concertgebouw or Vienna Musikverein: in nearly all of the leading European Concert Halls the music of Christoph Ehrenfellner has won enthusiastic audience.

Ehrenfellner is honorary member of the Japan Austria Cultural Association. His thesis ‘Art&Money’ is edited at the Akademiker Verlag Saarbrücken.

 

 

pallhuberHermann Pallhuber

Hermann Pallhuber completed his musical education at conservatories in Innsbruck and Vienna (piano, trombone and ensemble direction), after which he went on to further studies at the Mozarteum in Salzburg and then again in Innsbruck (musical pedagogy with special emphasis on ensemble and choir conduction, trombone and piano). At the same time, he also completed his studies in classical philology (Latin).
From 1994-2004, he focused mainly on conducting and teaching at various high schools and musical academies. He also deepened his interest in conducting and composition at the Pedagogical University Tyrol, the University of Innsbruck and the Musical Universities of Zürich and Augsburg respectively, after which he obtained an artistic diploma in “Conducting, wind band direction and instrumentation” from the Musical Academy of Nüremberg-Augsburg. For many years, Hermann Pallhuber led professional and semi-professional wind ensembles and orchestras (Wind Music Project of the State University of Music and the Performing Arts in Stuttgart, Three Lions Brass Band Stuttgart, Brass Band Tirol, The Symphonic Wind Orchestra Innsbruck, and many more), with which he achieved numerous impressive musical successes. Furthermore, he was in charge of running and moderating factual programmes on wind music for the Austrian national television broadcasting service (ORF) from 2001-2016. Internationally, Hermann Pallhuber, functions as a guest conductor, juror, composer and lecturer in wind orchestration. His compositions were published by Faber Music London and Beriato (De Haske/Hal Leonard).
Since 2009, he has been teaching at the State University of Music and the Performing Arts in Stuttgart, where he was awarded the title of Honorary Professor for wind orchestra conduction in 2013. He has also been leading a class in wind orchestra direction at the Tyrolean State Conservatory.
In October 2016, Hermann Pallhuber was awarded the professorship for conducting and direction of wind orchestras at the State University of Music and the Performing Arts in Mannheim. 

 

 

slaterDavid Slater

David Slater is an Australian composer, conductor and music educator.
His compositions have received numerous awards and were twice short-listed for Australia’s richest composition prize. His work encompasses many genres from concert hall to TV, film and advertising, and includes solo, chamber, choral and orchestral music. He receives regular commissions and his work is performed throughout Australia and the world.
Mr Slater is an experienced conductor with an extensive repertoire spanning from the Baroque to the present day. He has conducted student and professional orchestras and choirs in several countries, and many seasons of musical theatre. He founded and directed a number of award-winning ensembles which include contemporary music groups, orchestras, choirs, youth orchestras and musical theatre companies. Since 2016 he has worked with choirs and orchestras from Austria, China, England, Estonia, Hong Kong, Hungary, Ireland, Japan, Poland, Russia, Spain, Taiwan and USA, as well as in Australia.
He is a regular guest at international music festivals, where he sits on international juries, conducts masterclasses and gives lectures. His regular schedule includes engagements in Austria, Italy and Slovakia, with notable events in Germany, Latvia and Russia, among others. Mr Slater has over 35 years’ experience as a music educator and lecturer. He is passionate about the role of music in society and in education, and has promoted the creation, study and performance of great music throughout his career. He has been a consultant on music curriculum and final year examiner in three Australian states.
He has won many major awards for composition, conducting and services to music in the community, including the Symphony Australia Prize, the National Award of the Orchestras of Australia Network and Australia Day awards for services to music in the community. He has published articles on music and music education and is Australia’s representative to the World Choir Council.

 

 

anthonisLuc Anthonis

At the Royal Flemish Music Conservatory of Antwerp Luc Anthonis received qualifications for solfeggio, flute, chambermusic, harmony, choral conducting.

He rounded out his knowledge on choral conducting in master classes with Eric Ericson, Simon Halsey, Péter Erdei, Jan Eelkema, Michael Scheck and others.

In 1980 Luc Anthonis took over the choir Cantilene from its founder Jozef Cleymans and in 1989 he himself founded the Vocal Ensemble Cantando. He still is the conductor of both choirs. The latter has won a great number of prizes in (inter)national competitions.

He conducts the Flemish Radio Choir on a regular basis and has been choirmaster of an international choir in Italy for four years. He gave choralconducting masterclasses in Bludenz (Austria).

Luc Anthonis is a standard member of the jury for the international youth choir competition in Neerpelt (EMJ-Belgium).

In September 2007 Luc Anthonis became professor of choral conducting at the Royal Flemish Music Conservatory in Antwerp (Belgium).

Since 1982 Luc Anthonis has taught flute and instrumental ensemble at the Ekeren music academie (Antwerp-Belgium). Over the years his “Strings Ensemble” has grown to become the “Symphonic Ensemble of Ekeren” (SEE), one of the few “School Symphonic Orchestras” in Belgium.